Showing Records: 101 - 120 of 140
seen of the crime / Beaulieu, Derek ; Stein G ; Reutersward CF ; Barwin G ; DeVries H ; Borges J ; Phillips T ; Johnson R ; Betts G ; Fitterman R ; Goldsmith K ; Morris S ; Backer H ; McPherson K ; bissett b., 2011
This book consists of essays of critical texts. In an essay about the work of bill bissett, Beaulieu extols bissett's "what fuckan theory" as an early conceptual text but excoriates him for the repetive nature of his work and performances as the years progressed. -- Source of annotation: Marvin or Ruth Sackner.
Selected Poems and New / Villa, Jose Garcia., 1958
Villa creates comma poems, "in which the commas are an integral and essential part of the medium: regulating the poem's verbal density and time movement: enabling each word to attain a fuller tonal and sonal value, and the line movement to become more measured." The poems are linear with commas separating every word. The artist Robert Indiana was very much influenced by Villa. -- Source of annotation: Marvin or Ruth Sackner.
Shadow Poems / Appel, Rosaire., 2009
This book consists of 61 full page poems by over a dozen poets - the author has hand cancelled every word of each poem. -- Source of annotation: Marvin or Ruth Sackner.
[Six Squares] (160565) / Houedard, Dom Sylvester., 1965
This work, typed in red and black inks, consists of six black squares laid out as an off-center diagonal grid 2 x 3. In each square, there are numbers, letters or @ characters. -- Source of annotation: Marvin or Ruth Sackner.
Spyrytual / Atkins, Russell ; levy da., 1966
Published by d.a.levy. -- Source of annotation: Marvin or Ruth Sackner.
Substitution 6.01 / Mairey, Francoise., 1977
All the poems are combinations of vertical straight or broken lines. -- Source of annotation: Marvin or Ruth Sackner.
Substitution / Mairey, Francoise., 1977
This work consists of typed graphic compositions based upon piano execises. -- Source of annotation: Marvin or Ruth Sackner.
Swim or Sink / Gifford, Nancy., 2004
The red words swim or sink are placed among blue wavy typed dashes signifying the waves. The print also includes a thank you note for a tour of the Sackner Archive. -- Source of annotation: Marvin or Ruth Sackner.
the cosmic easteregg of brahman; svayambhu lingam (720372) / Houedard, Dom Sylvester., 1972
The Fragments Series One / Prost, R.., 1978
Exhibited in Visualog 2, San Luis Obispu, California. Exhibition was curated by Karl Kempton. -- Source of annotation: Marvin or Ruth Sackner.
The Fuck Poems / Pie (TT) O/AKA Pi O ; Vale M., 1982
Michael Vale made the illustrations for this book. -- Source of annotation: Marvin or Ruth Sackner.
The Message is Lost and the Sender / Mott, Michael., 1971
The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that his typewritings were influenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by the reading of Monk's Pond that he was unaware of until the 1980s. He further mentioned that he employed "various degrees of pressure to give variations and life to the work." -- Source of annotation: Marvin or Ruth Sackner.
The Puerto Rican Poets: The first bilingual anthology covering the entire range of Puerto Rican poetry of this century / Matilla, Alfredo, editor ; Silen, Ivan, editor ; Pietri P., 1972
The Punctuated Colon / Soll, Ivan; Gomez, Marta., 1996
A punctuation colon is printed below a drawing of the human colon, half of which is seen though a cut out section. The text on the final page refers to a mathematical axiom e.g. the whole is equal to the sum of its parts. However, the poets question whether one can ever do anything by halves. -- Source of annotation: Marvin or Ruth Sackner.